EDUCATION
Design for Performance, Scenehouse Programme, 2015 (Edinburgh, UK)
BFA Theatre Design & Production, The University of British Columbia, 2009 - 2013 (Vancouver, BC)
AWARDS & NOMINATIONS
Nominated for an Off West-End Award for Best Set Design: Midnight: A New Musical, The Union Theatre, 2018
Peter Loeffler Memorial Prize in Theatre, The University of British Columbia, 2013
Peter Loeffler Memorial Prize in Theatre, The University of British Columbia, 2012
DESIGN
Upcoming
Set & Costume Design: Dewi in the Deep, directed by John Savournin, Royal Opera House - Clore Studio
Set & Costume Design: The Boatswain's Mate, directed by Nick Bond, Buxton International Festival
Set & Costume Design: La canterina, directed by Lysanne van Overbeek, Buxton International Festival
2024
Set & Costume Design: Tartuffe, directed by Dominic Burdess, Guildford School of Acting
Set & Costume Design: A Midsummer Night's Dream, directed by Jaq Bessell, Guildford School of Acting
2023
Set & Costume Design: The Unreturning, directed by Esther Dix, Italia Conti
Set & Costume Design: Emilia, directed by Justina Kehinde, Italia Conti
Set & Costume Design: Rip Van Winkle, directed by Evangeline Cullingworth, Gothic Opera - Hoxton Hall
Set Design: Semele, directed by Harry Fehr, Blackheath Halls Opera
Set & Costume Design: Captain Blood's Revenge, directed by Genevieve Raghu, Norfolk Into Opera Festival
Set & Costume Design: Three Children's Operas, directed by Genevieve Raghu, Norfolk Into Opera Festival
Set & Costume Design: Broken Toys, directed by Raymi Ortuste, Cervantes Theatre
Set & Costume Design: Oil, directed by Andrea Ling, Hoxton Hall - East 15 Acting School
Set & Costume Design: Let Me Change Your Mind, directed by Angela Ekaette Michaels, East 15 Acting School - Hoxton Hall
Set & Costume Design: Mary Lamb, directed by Matthew Lloyd, Hoxton Hall - East 15 Acting School
Set & Costume Design: Away, directed by Andrew Davidson, Guildford School of Acting
Set & Costume Design: Coram Boy, directed by Sabina Netherclift, Guildford School of Acting
Set Design: Cartas Vivas, directed by Paula Paz, Teatro de La Abadía (Madrid) & Teatro Corral de Comedias (Alcalá de Henares)
2022
Set & Costume Design: Candide, directed by Seb Harcombe, Blackheath Halls Opera
Set Design: Cartas Vivas, directed by Paula Paz, Cervantes Theatre
Set & Costume Design Facilitator: MA Directors Festival, Mountview Academy
Set & Costume Design: The Tight Squeeze, directed by Danny Romeo, Institute for Contemporary Theatre
2021
Set & Costume Design: Against, directed by Jemima James, Guildford School of Acting
Set & Costume Design: The Welkin, directed by Sean Linnen, Guildford School of Acting
Set & Costume Design: Sticks & Stones, directed by Nadia Papachronopoulou, Guildford School of Acting
Set Design: Elf Factory, directed by Zoe Seaton, Big Telly Theatre Company
Set & Costume Design: Happened 1990, Half Moon Theatre (Five Short Films with Youth Theatre Groups)
Set & Costume Design: Spend Spend Spend, dir. by Stewart Nicholls, Guildford School of Acting (Filmed Production)
Set & Costume Design: The Canterbury Tales, directed by Daniel Pirrie & Simon Dormandy, St Paul’s School
Set & Costume Design Consultation: Catalyst Festival 2021, MA Theatre Directing, Mountview Academy
Set & Costume Design: Hamlet, directed by Jemima James, Guildford School of Acting (Filmed Production)
Set & Costume Design: Image of an Unknown Young Woman, directed by Heather Carroll, Guildford School of Acting (Filmed Production)
Set & Costume Design: Red Velvet, directed by Nicholai La Barrie, Guildford School of Acting (Filmed Production)
2020
Production Design: A Journey Through The Rake's Progress, directed by James Hurley, Blackheath Halls Opera (Film)
Set & Costume Design Consultation: Catalyst Festival 2020, MA Theatre Directing, Mountview Academy
Set Design & Build: Moss Bros Winter Gifting Campaign 2020, coordinated by Eve Obayoriade, Moss Bros
2019
Set & Costume Design: Sleeping Beauty, directed by Charlie Westenra, Guildford School of Acting
Set & Costume Design: All About My Mother, directed by Hannah Bannister, Guildford School of Acting
Set & Costume Design: The Cosmonaut’s Last Message… directed by Nadia Papachronopoulou, Guildford School of Acting
Set & Costume Design: Love and Information, directed by Sean Linnen, Guildford School of Acting
Set Design & Build: Moss Bros Winter Gifting Campaign 2019, coordinated by Eve Obayoriade, Moss Bros
Costume Design: Nell Gwynn, directed by Emma Bernard, Guildford School of Acting
Costume Design: The Crucible, directed by Katarzyna Deszcz, Guildford School of Acting
Set Design: The Day the Crayons Quit, directed by Jonathon Boustead, St Paul’s School
Set Design: Anne Boleyn, directed by Katie Posner, Guildford School of Acting
2018
Set & Costume Design: Midnight: A New Musical, directed by Kate Golledge, The Union Theatre
Set & Costume Design: Giulio Cesare, directed by Greg Eldridge, Bury Court Opera
Set & Puppet Design: The Terrible Infants, directed by Jonathan Boustead, St Paul’s School
2017
Set Design: The Marriage of Figaro, directed by Greg Eldridge, Xi’an Concert Hall
Set & Costume Design: One Last Thing For Now, directed by Lilac Yosiphon, Old Red Lion Theatre
Set & Costume Design: Vinegar Tom, directed by Emily Jenkins, The University of Northampton, Royal & Derngate
Set & Costume Design: Around the World in 80 Days, directed by Jonathan Boustead, St Paul’s School
2015
Set Design: Dirty Rotten Scoundrels, directed by Carole Higgins & Katrina Dunn, Carousel Theatre for Young People/Touchstone Theatre
Set Design: Shakespearean Rhapsody, dir. by Carole Higgins, Carousel Theatre for Young People
2014
Set Design: The Seagull, directed by Kathleen Duborg, UBC Theatre
2013
Costume Design: Blood Relations, directed by Jennette White, UBC Theatre
Props Design: Hamletmachine, directed by Ines Ortner, UBC Theatre/Project Ophelia
Costume Design: Our Country’s Good, directed by Chris Robson, UBC Players
WORKSHOPS & TEACHING
Visiting Workshop Leader: Production Arts, The BRIT School, February 2022 - May 2022
Set Design & Model Making Tutor: Production Arts, The BRIT School, January 2021 - July 2021
Visiting Workshop Leader: Get Designing!, Chichester Festival Theatre, 2018 - 2020
Set Design & Making Workshop Leader: St Paul's Juniors, St Paul's School, 2019 - 2020
ASSISTANT WORK & PRODUCTION
2022
Costume Supervisor: The Rake's Progress, designed by Anna Jones (Curious Space), Royal Academy of Music
Costume Supervisor: Lamento D'Arianna, Ariadne Auf Naxos, & Witch (Triple Bill), designed by April Dalton, Royal Academy of Music
Model Maker: The Gretchen Question, designed by E.M. Parry, Fuel & The Shipwright
Draughtsperson: Robin Hood, designed by Adrian Gee, Theatr Clwyd
2021
Associate Designer: Department Story, designed by Ryan Dawson Laight, Big Telly Theatre Company
Design Assistant: Good Youtes Walk, designed by Ryan Dawson Laight, Far From the Norm
Scenic Maker: Grimms Tales for Fragile Times & Broken People, designed by Ryan Dawson Laight, Creation Theatre (Digital Production)
2020
Prop/Costume Maker: Pinocchio, designed by Ryan Dawson Laight, Chichester Festival Theatre
Prop/Costume Maker: The Wonderful Wizard of Oz, designed by Ryan Dawson Laight, Creation Theatre (Digital Production)
Prop/Costume & Model Maker: Alice in Wonderland (A Virtual Themepark), designed by Ryan Dawson Laight, Creation Theatre (Digital Production)
Prop & Model Maker: Macbeth, designed by Ryan Dawson Laight, Creation Theatre & Big Telly (Digital Production)
Draughtsperson: Grease!, designed by Stewart Charlesworth, Guildhall School of Music & Drama (Digital Production)
Model Maker: Cherubin, designed by April Dalton, Royal Academy of Music
Draughtsperson: The Marriage of Figaro, designed by Rae Smith, Aix-en-Provence Festival
2019
Design Assistant: Torch Song, designed by Ryan Dawson Laight, Turbine Theatre
Model Maker: The Tailor of Gloucester, designed by Verity Quinn, Salisbury Playhouse
Model Maker: Youthquake, designed by Verity Quinn, Zest Theatre
Design Assistant: La Belle Helene, designed by April Dalton, Blackheath Halls Opera
Costume Supervisor: ICONIC, designed by Ryan Dawson Laight, Jazz Dance Company: London Studio Centre
Draughtsperson: Rosmersholm, designed by Rae Smith, Duke of Yorks Theatre
2018
Design Assistant: Dido and Aeneas, designed by April Dalton, Blackheath Halls Opera
Design Associate: Describe the Night, designed by Polly Sullivan, Hampstead Theatre
Model Maker: The Snow Dragon (Australian Tour), designed by Polly Sullivan, Tall Stories
2017
Design Assistant: Lady Windermere’s Fan, designed by Paul Wills, Vaudeville Theatre
Model Maker: Hamlet (UK Tour), designed by Paul Wills, Royal Shakespeare Company
Design Associate: Hamlet, designed by Polly Sullivan, The Park Theatre
Design Associate: The Cherry Orchard, designed by Polly Sullivan, Guildhall School of Music & Drama
Design Associate: Years of Sunlight, designed by Polly Sullivan, Theatre 503
Model Maker: Scarlett, designed by Polly Sullivan, Hampstead Downstairs
Model Maker: Laika, designed by Verity Quinn, Unicorn Theatre
Design Assistant: Landmines, designed by Ryan Dawson Laight, The BRIT School
Prop Maker: Ice Cream: The Opera, designed by Ryan Dawson Laight, Freedom Studios
Costume Assistant: Blak Whyte Grey, designed by Ryan Dawson Laight, Boy Blue/The Barbican
Design Assistant: The Grimms Tales, designed by Ryan Dawson Laight, Chichester Festival Theatre
Model Maker: The Phantom of the Opera, designed by Andrew Riley, Oslo Folketeateret
Model Maker: Nativity: The Musical, designed by David Woodhead, Birmingham Repertory Theatre
2016
Draughtsperson: Under the Rainbow, designed by Verity Quinn, Polka Theatre
Draughtsperson: Septimus Bean and his Amazing Machine, designed by Verity Quinn, Unicorn Theatre
Draughtsperson: Trouble in Mind, designed by Polly Sullivan, Theatre Royal Bath
Design Associate: High Society, designed by Ryan Dawson Laight, The Mill at Sonning
Model Maker: La boheme, designed by Stewart Laing, The Royal Opera House
Design Assistant: A Room With a View, designed by Paul Wills, Theatre Royal Bath
Design Assistant: First Light, designed by Paul Wills, Chichester Festival Theatre
Design Assistant: Running Wild, designed by Paul Wills, Regent’s Park Open Air Theatre
Model Maker: Juno and the Paycock, designed by Paul Wills, The Gate Theatre Dublin
2015
Costume Assistant: A Christmas Carol, designed by Ryan Dawson Laight, Chichester Festival Theatre
Design Assistant: Treasure Island, designed by Ryan Dawson Laight, Creation Theatre
Design Assistant: Backward Fall, designed by Catherine Morgan, Intermission Youth Theatre
2014
Stop-Motion Art Department: Windy and Friends, created by Judith Steedman & Robin Mitchell-Cranfield, Twofold Films Inc./Loud Crow Interactive (Vancouver)
Design Assistant: On a First Name Basis, designed by Christine Reimer, Kay Meek Centre (Vancouver)
Costume Assistant: James & The Giant Peach, designed by Barbara Clayden, Carousel Theatre for Young People (Vancouver)
2013
Properties Shop Assistant: The Frederic Wood Theatre, The University of British Columbia (Vancouver), 2011 - 2013
Costume Assistant: The Secret Doctrine, designed by Christine Reimer, SFU Fei & Milton Wong Experimental Theatre (Vancouver)
Prop Maker: Math Out Loud, Mitacs (Vancouver)
Costume Maker: The Misanthrope, designed by Jacqueline Firkins, Court Theatre (Chicago)
Costume Maker: The Whipping Man, designed by Jacqueline Firkins, Marin Theatre/Virginia Stage Company (California)