EDUCATION

Design for Performance, Scenehouse Programme, 2015 (Edinburgh, UK)

BFA Theatre Design & Production, The University of British Columbia, 2009 - 2013 (Vancouver, BC)

AWARDS & NOMINATIONS

Shortlisted for the Cameron Macintosh Ltd. Set Design Bursary, 2020

Nominated for an Off West-End Award for Best Set Design 2018: Midnight: A New Musical, The Union Theatre

Peter Loeffler Memorial Prize in Theatre, The University of British Columbia, 2013 

Peter Loeffler Memorial Prize in Theatre, The University of British Columbia, 2012

 

DESIGN

Design: A Journey Through The Rake's Progress, directed by James Hurley, Blackheath Halls Opera (Film) 

Set and Costume Design Consultation: Catalyst Festival 2020, MA Theatre Directors, Mountview Academy 

Set Design & Build: Moss Bros Winter Gifting Campaign, coordinated by Eve Obayoriade, Moss Bros

Set/Costume Design: Sleeping Beauty, directed by Charlie Westenra, Guildford School of Acting

Set/Costume Design: All About My Mother, directed by Hannah Bannister, Guildford School of Acting

Set/Costume Design: The Cosmonaut’s Last Message directed by Nadia Papachronopoulou, Guildford School of Acting

Set/Costume Design: Love and Information, directed by Sean Linnen, Guildford School of Acting

Costume Design: Nell Gwynn, directed by Emma Bernard, Guildford School of Acting

Costume Design: The Crucible, directed by Katarzyna Deszcz, Guildford School of Acting

Set Design: The Day the Crayons Quit, directed by Jonathon Boustead, St Paul’s School

Set Design: Anne Boleyn, directed by Katie Posner, Guildford School of Acting

Set/Puppet Design: The Terrible Infants, directed by Jonathan Boustead, St Paul’s School

Set/Costume Design: Midnight: A New Musical, directed by Kate Golledge, The Union Theatre

Set/Costume Design: Giulio Cesare, directed by Greg Eldridge, Bury Court Opera

Set/Costume Design: Around the World in 80 Days, directed by Jonathan Boustead, St Paul’s School

Set/Costume Design: Vinegar Tom, directed by Emily Jenkins, The University of Northampton, Royal & Derngate

Set/Costume Design: One Last Thing For Now, directed by Lilac Yosiphon, Old Red Lion Theatre

Set Design: The Marriage of Figaro, directed by Greg Eldridge, Xi’an Concert Hall

Set Design: Dirty Rotten Scoundrels, directed by Carole Higgins & Katrina Dunn, Carousel Theatre for Young People/Touchstone Theatre

Set Design: Shakespearean Rhapsody, dir. by Carole Higgins, Carousel Theatre for Young People

Set Design: The Seagull, directed by Kathleen Duborg, UBC Theatre

Costume Design: Blood Relations, directed by Jennette White, UBC Theatre

Props Design: Hamletmachine, directed by Ines Ortner, UBC Theatre/Project Ophelia

Costume Design: Our Country’s Good, directed by Chris Robson, UBC Players

 

ASSISTANT WORK & MAKING

Properties Shop Assistant: The Frederic Wood Theatre, The University of British Columbia, 2011 - 2013

Model Maker: Alice in Wonderland (A Virtual Themepark), designed by Ryan Dawson Laight, Creation Theatre

Draightsperson: Grease!, designed by Stewart Charlesworth, Guildhall School of Music & Drama

Design Assistant: Torch Song, designed by Ryan Dawson Laight, Turbine Theatre

Model Maker: The Tailor of Gloucester, designed by Verity Quinn, Salisbury Playhouse

Model Maker: Youthquake, designed by Verity Quinn, Zest Theatre

Design Supervisor: La Belle Helene, designed by April Dalton, Blackheath Halls Opera

Costume Supervisor: ICONIC, Jazz Dance Company, London Studio Centre

Draughtsperson: Rosmersholm, designed by Rae Smith, Duke of Yorks Theatre

Design Assistant: Dido and Aeneas, designed by April Dalton, Blackheath Halls Opera

Associate Designer: Describe the Night, designed by Polly Sullivan, Hampstead Theatre

Design Assistant: Lady Windermere’s Fan, designed by Paul Wills, Vaudeville Theatre

Model Maker: The Snow Dragon (Australia Tour), designed by Polly Sullivan, Tall Stories

Associate Designer: Hamlet, designed by Polly Sullivan, The Park Theatre

Associate Designer: The Cherry Orchard, designed by Polly Sullivan, Guildhall School of Music & Drama

Model Maker: Hamlet (UK Tour), designed by Paul Wills, Royal Shakespeare Company

Design Assistant: Landmines, designed by Ryan Dawson Laight, The BRIT School

Associate Designer: Years of Sunlight, designed by Polly Sullivan, Theatre 503

Model Maker: Laika, designed by Verity Quinn, Unicorn Theatre

Prop Maker: Ice Cream: The Opera, designed by Ryan Dawson Laight, Freedom Studios

Costume Assistant: Blak Whyte Grey, designed by Ryan Dawson Laight, Boy Blue/The Barbican

Design Assistant: The Grimms Tales, designed by Ryan Dawson Laight, Chichester Festival Theatre

Associate Designer: High Society, designed by Ryan Dawson Laight, The Mill at Sonning

Model Maker: La boheme, designed by Stewart Laing, The Royal Opera House

Design Assistant: A Room With a View, designed by Paul Wills, Theatre Royal Bath

Design Assistant: First Light, designed by Paul Wills, Chichester Festival Theatre

Design Assistant: Running Wild, designed by Paul Wills, Regent’s Park Open Air Theatre

Costume Assistant: A Christmas Carol, designed by Ryan Dawson Laight, Chichester Festival Theatre

Art Department: Windy and Friends App, created by Judith Steedman & Robin Mitchell-Cranfield, Twofold Films Inc./Loud Crow Interactive (Vancouver)

Design Assistant: On a First Name Basis, designed by Christine Reimer, Kay Meek Centre (Vancouver)

Costume Assistant: James & The Giant Peach, designed by Barbara Clayden, Carousel Theatre for Young People (Vancouver)

Costume Assistant: The Secret Doctrine, designed by Christine Reimer, SFU Fei & Milton Wong Experimental Theatre (Vancouver)

Costume Maker: The Misanthrope, designed by Jacqueline Firkins, Court Theatre (Chicago)

Costume Maker: The Whipping Man, designed by Jacqueline Firkins, Marin Theatre/Virginia Stage Company (California)