EDUCATION
Design for Performance, Scenehouse Programme, 2015 (Edinburgh, UK)
BFA Theatre Design & Production, The University of British Columbia, 2009 - 2013 (Vancouver, BC)
AWARDS & NOMINATIONS
Nomination: Off West-End Award for Design IDEA: Selecting a Ghost, Stanley Arts, 2024
Nomination: Off West-End Award for Best Set Design: Midnight: A New Musical, The Union Theatre, 2018
Peter Loeffler Memorial Prize in Theatre, The University of British Columbia, 2012 & 2013
DESIGNS
Upcoming
Set Design: La traviata, directed by James Hurley, Buxton International Festival
Set & Costume Design: Don Pasquale, directed by James Hurley, Opera North at Nevill Holt Festival
2026
Set Design: Onegin, directed by Stuart Neal, Guildford School of Acting
Set Design: High Button Shoes, directed by Stewart Nicholls, Guildford School of Acting
2025
Set & Costume Design: Sweeney Todd, directed by Alan Pearson, Mountview
Set Design: Next to Normal, directed by Seán Linnen, Mountview
Set & Costume Design: Yerma, directed by Roy Alexander Weise, LAMDA
Set & Costume Design: A Dream, directed by Chelsea Walker, LAMDA
Set & Costume Design: Rigoletto, directed by Nina Brazier, IF Opera
Associate Design: Orpheus in the Underworld, directed by Simon Butteriss, IF Opera
Set & Costume Design: Shorts (Four Innovative New Operas), directed by Rebecca Meltzer & Marcus Desando, Buxton International Festival
Set & Costume Design: Joe Turner's Come and Gone, directed by Baron Kelly, LAMDA
Set & Costume Design: The Glue, directed by Caroline Leslie, LAMDA
Set & Costume Design: A Streetcar Named Desire, directed by Seán Linnen, Mountview
Assistant Set Design: Cruel Intentions: The Musical, designed by Polly Sullivan, UK Tour
2024
Set & Costume Design: The Curious Incident of the Dog in the Night-Time, directed by Cressida Carré, Guildford School of Acting
Set & Costume Design: Head Over Heels, directed by Alex Sutton, Guildford School of Acting
Set Design: Selecting a Ghost, directed by Phil Cheadle, Stanley Arts
Set Design: Cavalleria rusticana, directed by Harry Fehr, Blackheath Halls Opera
Associate Set Design: Die Fledermaus, directed by Simon Butteriss, IF Opera
Set & Costume Design: The Boatswain's Mate, directed by Nick Bond, Buxton International Festival
Set & Costume Design: La canterina, directed by Lysanne van Overbeek, Buxton International Festival
Set & Costume Design: Dewi in the Deep, directed by John Savournin, Royal Opera House (Clore Studio)
Set & Costume Design: The Unmanageable Sisters, directed by Maisie Newman, Guildford School of Acting
Set & Costume Design: Pericles, directed by Daniel Hill, Guildford School of Acting
2023
Set & Costume Design: The Unreturning, directed by Esther Dix, Italia Conti
Set & Costume Design: Emilia, directed by Justina Kehinde, Italia Conti
Set & Costume Design: Rip Van Winkle, directed by Evangeline Cullingworth, Gothic Opera - Hoxton Hall
Set Design: Semele, directed by Harry Fehr, Blackheath Halls Opera
Set & Costume Design: Captain Blood's Revenge, directed by Genevieve Raghu, Norfolk Into Opera Festival
Set & Costume Design: Three Children's Operas, directed by Genevieve Raghu, Norfolk Into Opera Festival
Set & Costume Design: Broken Toys, directed by Raymi Ortuste, Cervantes Theatre
Set & Costume Design: Oil, directed by Andrea Ling, Hoxton Hall - East 15 Acting School
Set & Costume Design: Mary Lamb, directed by Matthew Lloyd, Hoxton Hall - East 15 Acting School
Set & Costume Design: Away, directed by Andrew Davidson, Guildford School of Acting
Set Design: Cartas Vivas, directed by Paula Paz, Teatro de La Abadía (Madrid) & Teatro Corral de Comedias (Alcalá de Henares)
2022
Set & Costume Design: Candide, directed by Seb Harcombe, Blackheath Halls Opera
Set Design: Cartas Vivas, directed by Paula Paz, Cervantes Theatre
Costume Supervisor: The Rake's Progress, designed by Anna Jones (Curious Space), Royal Academy of Music
Set & Costume Design Facilitator: MA Directors Festival, Mountview
Costume Supervisor: Lamento D'Arianna, Ariadne Auf Naxos, & Witch (Triple Bill), designed by April Dalton, Royal Academy of Music
2021
Set & Costume Design: The Welkin, directed by Sean Linnen, Guildford School of Acting
Associate Designer: Department Story, designed by Ryan Dawson Laight, Big Telly Theatre Company
Set & Costume Design: Happened 1990, Half Moon Theatre (Five Short Films with Youth Theatre Groups)
Set & Costume Design: Spend Spend Spend, dir. by Stewart Nicholls, Guildford School of Acting (Filmed Production)
Set & Costume Design Consultation: Catalyst Festival 2021, MA Theatre Directing, Mountview
Set & Costume Design: Hamlet, directed by Jemima James, Guildford School of Acting (Filmed Production)
Set & Costume Design: Image of an Unknown Young Woman, directed by Heather Carroll, Guildford School of Acting (Filmed Production)
2020
Production Design: A Journey Through The Rake's Progress, directed by James Hurley, Blackheath Halls Opera (Film)
Set & Costume Design Consultation: Catalyst Festival 2020, MA Theatre Directing, Mountview
2019
Set & Costume Design: All About My Mother, directed by Hannah Bannister, Guildford School of Acting
Set & Costume Design: Love and Information, directed by Sean Linnen, Guildford School of Acting
Costume Design: The Crucible, directed by Katarzyna Deszcz, Guildford School of Acting
2018
Set & Costume Design: Midnight: A New Musical, directed by Kate Golledge, The Union Theatre
Design Associate: Describe the Night, designed by Polly Sullivan, Hampstead Theatre
Set & Costume Design: Giulio Cesare, directed by Greg Eldridge, Bury Court Opera
2017
Set Design: The Marriage of Figaro, directed by Greg Eldridge, Xi’an Concert Hall
Design Associate: Years of Sunlight, designed by Polly Sullivan, Theatre 503
Design Associate: Hamlet, designed by Polly Sullivan, The Park Theatre
Set & Costume Design: One Last Thing For Now, directed by Lilac Yosiphon, Old Red Lion Theatre
2015
Set Design: Dirty Rotten Scoundrels, directed by Carole Higgins & Katrina Dunn, Carousel Theatre for Young People/Touchstone Theatre
Set Design: Shakespearean Rhapsody, dir. by Carole Higgins, Carousel Theatre for Young People
2014
Set Design: The Seagull, directed by Kathleen Duborg, UBC Theatre
Stop-Motion Art Department: Windy and Friends, created by Judith Steedman & Robin Mitchell-Cranfield, Twofold Films Inc./Loud Crow Interactive (Vancouver)
2013 and Previous
Properties Shop Assistant: The Frederic Wood Theatre, The University of British Columbia (Vancouver), 2011 - 2013
Costume Design: Blood Relations, directed by Jennette White, UBC Theatre
Props Design: Hamletmachine, directed by Ines Ortner, UBC Theatre/Project Ophelia
Costume Design: Our Country’s Good, directed by Chris Robson, UBC Players
WORKSHOPS & TEACHING
Visiting Set Design & Model Making Tutor: Production Arts, The BRIT School, January 2021 - May 2022
Visiting Workshop Leader: Get Designing!, Chichester Festival Theatre, 2018 - 2020