EDUCATION

Design for Performance, Scenehouse Programme, 2015 (Edinburgh, UK)

BFA Theatre Design & Production, The University of British Columbia, 2009 - 2013 (Vancouver, BC)

AWARDS & NOMINATIONS

Shortlisted for the Cameron Macintosh Ltd. Set Design Bursary, 2020

Nominated for an Off West-End Award for Best Set Design: Midnight: A New Musical, The Union Theatre, 2018

Peter Loeffler Memorial Prize in Theatre, The University of British Columbia, 2013 

Peter Loeffler Memorial Prize in Theatre, The University of British Columbia, 2012

 

DESIGN

2021

Set & Costume Design: Hamlet, directed by Jemima James, Guildford School of Acting (Filmed Production)

Set & Costume Design: Image of an Unknown Young Woman, directed by Heather Carroll, Guildford School of Acting (Filmed Production)

Set & Costume Design: Red Velvet, directed by Nicholai La Barrie, Guildford School of Acting (Filmed Production)

2020

Production DesignA Journey Through The Rake's Progress, directed by James Hurley, Blackheath Halls Opera (Film) 

Set & Costume Design ConsultationCatalyst Festival 2020, MA Theatre Directing, Mountview Academy 

Set Design & Build: Moss Bros Winter Gifting Campaign 2020, coordinated by Eve Obayoriade, Moss Bros

2019

Set & Costume Design: Sleeping Beauty, directed by Charlie Westenra, Guildford School of Acting

Set & Costume Design: All About My Mother, directed by Hannah Bannister, Guildford School of Acting

Set & Costume Design: The Cosmonaut’s Last Message directed by Nadia Papachronopoulou, Guildford School of Acting

Set & Costume Design: Love and Information, directed by Sean Linnen, Guildford School of Acting

Set Design & Build: Moss Bros Winter Gifting Campaign 2019, coordinated by Eve Obayoriade, Moss Bros

Costume Design: Nell Gwynn, directed by Emma Bernard, Guildford School of Acting

Costume Design: The Crucible, directed by Katarzyna Deszcz, Guildford School of Acting

Set Design: The Day the Crayons Quit, directed by Jonathon Boustead, St Paul’s School

Set Design: Anne Boleyn, directed by Katie Posner, Guildford School of Acting

2018

Set & Costume Design: Midnight: A New Musical, directed by Kate Golledge, The Union Theatre

Set & Costume Design: Giulio Cesare, directed by Greg Eldridge, Bury Court Opera

Set & Puppet Design: The Terrible Infants, directed by Jonathan Boustead, St Paul’s School

2017

Set Design: The Marriage of Figaro, directed by Greg Eldridge, Xi’an Concert Hall

Set & Costume Design: One Last Thing For Now, directed by Lilac Yosiphon, Old Red Lion Theatre

Set & Costume Design: Vinegar Tom, directed by Emily Jenkins, The University of Northampton, Royal & Derngate

Set & Costume Design: Around the World in 80 Days, directed by Jonathan Boustead, St Paul’s School

2015

Set Design: Dirty Rotten Scoundrels, directed by Carole Higgins & Katrina Dunn, Carousel Theatre for Young People/Touchstone Theatre

Set Design: Shakespearean Rhapsody, dir. by Carole Higgins, Carousel Theatre for Young People

 

2014

Set Design: The Seagull, directed by Kathleen Duborg, UBC Theatre

2013

Costume Design: Blood Relations, directed by Jennette White, UBC Theatre

Props Design: Hamletmachine, directed by Ines Ortner, UBC Theatre/Project Ophelia

Costume Design: Our Country’s Good, directed by Chris Robson, UBC Players

ASSISTANT WORK & MAKING

Properties Shop Assistant: The Frederic Wood Theatre, The University of British Columbia, 2011 - 2013

2021

Scenic Maker: Grimms Tales for Fragile Times & Broken People, designed by Ryan Dawson Laight, Creation Theatre (Digital Production)

2020

Prop/Costume Maker: Pinocchio, designed by Ryan Dawson Laight, Chichester Festival Theatre

Prop/Costume Maker: The Wonderful Wizard of Oz, designed by Ryan Dawson Laight, Creation Theatre (Digital Production)

Prop/Costume & Model MakerAlice in Wonderland (A Virtual Themepark), designed by Ryan Dawson Laight, Creation Theatre (Digital Production)

Prop & Model MakerMacbeth, designed by Ryan Dawson Laight, Creation Theatre & Big Telly (Digital Production)

Draughtsperson: Grease!, designed by Stewart Charlesworth, Guildhall School of Music & Drama (Digital Production)

Model Maker: Cherubin, designed by April Dalton, Royal Academy of Music

Draughtsperson: The Marriage of Figaro, designed by Rae Smith, Aix-en-Provence Festival 

2019

Design Assistant: Torch Song, designed by Ryan Dawson Laight, Turbine Theatre

Model Maker: The Tailor of Gloucester, designed by Verity Quinn, Salisbury Playhouse

Model Maker: Youthquake, designed by Verity Quinn, Zest Theatre

Design Assistant: La Belle Helene, designed by April Dalton, Blackheath Halls Opera

Costume Supervisor: ICONIC, designed by Ryan Dawson Laight, Jazz Dance Company: London Studio Centre

Draughtsperson: Rosmersholm, designed by Rae Smith, Duke of Yorks Theatre

2018

Design Assistant: Dido and Aeneas, designed by April Dalton, Blackheath Halls Opera

Design Associate: Describe the Night, designed by Polly Sullivan, Hampstead Theatre

Model Maker: The Snow Dragon (Australian Tour), designed by Polly Sullivan, Tall Stories

2017

Design Assistant: Lady Windermere’s Fan, designed by Paul Wills, Vaudeville Theatre

Model Maker: Hamlet (UK Tour), designed by Paul Wills, Royal Shakespeare Company

Design Associate: Hamlet, designed by Polly Sullivan, The Park Theatre

Design Associate: The Cherry Orchard, designed by Polly Sullivan, Guildhall School of Music & Drama

Design Associate: Years of Sunlight, designed by Polly Sullivan, Theatre 503

Model Maker: Scarlett, designed by Polly Sullivan, Hampstead Downstairs

Model Maker: Laika, designed by Verity Quinn, Unicorn Theatre

Design Assistant: Landmines, designed by Ryan Dawson Laight, The BRIT School

Prop Maker: Ice Cream: The Opera, designed by Ryan Dawson Laight, Freedom Studios

Costume Assistant: Blak Whyte Grey, designed by Ryan Dawson Laight, Boy Blue/The Barbican

Design Assistant: The Grimms Tales, designed by Ryan Dawson Laight, Chichester Festival Theatre

Model Maker: The Phantom of the Opera, designed by Andrew Riley, Oslo Folketeateret
Model Maker: Nativity: The Musicaldesigned by David Woodhead, Birmingham Repertory Theatre

2016

Draughtsperson: Under the Rainbow, designed by Verity Quinn, Polka Theatre

Draughtsperson: Septimus Bean and his Amazing Machine, designed by Verity Quinn, Unicorn Theatre

Draughtsperson: Trouble in Mind, designed by Polly Sullivan, Theatre Royal Bath

Design Associate: High Society, designed by Ryan Dawson Laight, The Mill at Sonning

Model Maker: La boheme, designed by Stewart Laing, The Royal Opera House

Design Assistant: A Room With a View, designed by Paul Wills, Theatre Royal Bath

Design Assistant: First Light, designed by Paul Wills, Chichester Festival Theatre

Design Assistant: Running Wild, designed by Paul Wills, Regent’s Park Open Air Theatre

Model Maker: Juno and the Paycock, designed by Paul Wills, The Gate Theatre Dublin

2015

Costume Assistant: A Christmas Carol, designed by Ryan Dawson Laight, Chichester Festival Theatre

Design Assistant: Treasure Island, designed by Ryan Dawson Laight, Creation Theatre

Design AssistantBackward Fall, designed by Catherine Morgan, Intermission Youth Theatre

2014

Stop-Motion Art Department: Windy and Friends, created by Judith Steedman & Robin Mitchell-Cranfield, Twofold Films Inc./Loud Crow Interactive (Vancouver)

Design Assistant: On a First Name Basis, designed by Christine Reimer, Kay Meek Centre (Vancouver)

Costume Assistant: James & The Giant Peach, designed by Barbara Clayden, Carousel Theatre for Young People (Vancouver)

2013

Costume Assistant: The Secret Doctrine, designed by Christine Reimer, SFU Fei & Milton Wong Experimental Theatre (Vancouver)

Prop Maker: Math Out Loud, Mitacs (Vancouver)

Costume Maker: The Misanthrope, designed by Jacqueline Firkins, Court Theatre (Chicago)

Costume Maker: The Whipping Man, designed by Jacqueline Firkins, Marin Theatre/Virginia Stage Company (California)

WORKSHOPS & TEACHING

Visiting Workshop Leader: Get Designing!, Chichester Festival Theatre, 2018 - 2020

Set Design & Making Tutor: Production Arts, The BRIT School, 2021

Set Design & Making Workshop Leader: St Paul's Juniors, St Paul's School, 2019 - 2020